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nmostert

nmostert
I am South African. I grew up in Pretoria and Johannesburg but currently live in London with my husband, Frederick. I still keep an apartment in the university town of Stellenbosch in the Cape province. I am an author of four novels. My latest novel is Season of the Witch. A modern gothic thriller about techgnosis and the Art of Memory, it received starred reviews in both Publishers Weekly and Kirkus. My debut novel was The Midnight Side, a story of obsessive love and a ghost manipulating the London Stock Exchange. In The Other Side of Silence, a sinister computer game becomes the key to unravelling the riddle of the Pythagorean Comma: one of the oldest and deadliest mysteries in the science of sound. My third novel, Windwalker, is a story of fratricide, redemption, ghost photography and soul mates searching for each other. She is currently at work on her next novel, titled Dragonfly. I studied in South Africa and at Columbia University, New York, and I have graduate degrees in Lexicography and Applied Linguistics and a bachelors in Modern Languages majoring in Afrikaans, Dutch, English and German. I worked as a teacher in the Department of Afrikaans and Dutch at the University of the Witwatersrand, Johannesburg and as project coordinator in the publishing department of public television station WNET/Thirteen in New York City. My political opinion pieces have appeared on the op-ed page of The New York Times, in Newsweek, The Independent and The Times (London).

nmostert's Blog

Season Of The Witch - Prologue

Thursday, May 3rd, 2007, 11:01 am


He was at peace: his brain no longer blooming like a crimson flower.


Slowly he opened his eyes. Above him, a black sky shimmering with stars. A pregnant moon entangled in the spreading branches of a tree.


Vaguely he realized he was on his back, floating on water. A swimming pool. Every now and then he would move his legs and hands to stay afloat. But the movements were instinctive and he was hardly aware of them.


A violin was singing, the sound drifting into the night air. It came from the house, which stood tall and dark to the right of him. The windows were blank and no light shone through the tiny leaded panes. The steep walls leaned forward; the peaked roof was angled crazily.


His thoughts were disoriented and his skull was soft from the pain, which had exploded inside his brain like a vicious sun. But as he looked at the house, he could still remember what was hidden behind those thick walls.


And how could he not? For months on end he had explored that house with all the passion of a man exploring the body of a long-lost lover. He had walked down the winding corridors, climbed the spiral staircases, entered the enchanted rooms and halls. It was all there -- locked away inside his damaged brain -- every minute detail. The green room with its phosphorescent lilies. The ballroom of the dancing butterflies. The room of masks where the light from an invisible sun turned a spider's web to gold. Wonderful rooms. Rooms filled with loveliness.


But inside that house were also rooms smelling of decay and malaise. Tiny rooms where the walls were damp and diseased, where, if he stretched out his hand, he could touch the unblinking eyes growing from the ceiling; eyes whose clouded gaze followed his ant-like procession through a tilting labyrinth of images and thoughts.


He knew their order. The order of places, the order of things. He had followed the rules perfectly. Why then, his mind a spent bulb, his body so heavy, was he finding it increasingly difficult to stay afloat?

A wind had sprung up. He felt its dusty breath against the wetness of his skin and he wondered if the fat moon might topple from the tree.

He was becoming tired. His neck muscles were straining. He should try to swim for the side of the pool, but the one half of his body felt paralyzed. It was all he could do to move his arms and legs slightly to keep from sinking. Below him was a watery blackness. And he realized he was no longer at peace but horribly afraid.


But then the darkness was split by a warm beam of light. Someone had switched on a lamp inside the house. He wanted to cry out but the muscles in his throat refused to work. The light was coming from behind the French doors with their inserts of stained glass carefully fitted together in the shape of an emblem. Monas Hieroglyphica. See, he still remembered...

A shadow appeared behind the glowing lozenges of red, green and purple glass. For a moment it hovered, motionless.


The shadow moved. The doors opened. She stepped out into the garden and her footfall made no sound. As she walked toward him, he thought he could smell her perfume.


His heart lifted joyously. She had known he was out here all along. Of course, she did. And now she had come to save him. No longer any need to be afraid. But hurry, he thought. Please hurry.


She was still wearing the mask. It covered her eyes. Her hair was concealed by the hood of her cape. On her shoulder perched the crow. Black as coal. Even in the uncertain light he was able to see the sheen on the bird's wings.

Sinking down to her knees at the very edge of the pool, she leaned over and looked squarely into his face. A wash of yellow light fell across her shoulder. Around her neck she was wearing a thin chain and from it dangled a charm in the shape of the letter M. It gleamed against the white of her skin.

From inside the house, the sound of the violin was much clearer now and he recognized the music. Andante Cantabile. Tchaikovsky's string Quartet no 1, opus 11. The ecstatic notes struck a fugitive chord of memory. The last time he had listened to this piece of music there was a fire burning in the hearth, a bowl of drooping apricot roses on the dark wooden table and next to it three glasses with red wine waiting on a silver tray.


He was sinking. His feet pale finless fish paddling sluggishly. He couldn't keep this up much longer. But she would help him. She would pull him to safety. With difficulty he moved his arm and stretched out his hand beseechingly.


Her forehead creased with concern but the eyes behind the mask were enigmatic. She placed her hand on his face and pushed it softly into the water. The crow left her shoulder with a startled shriek. His mouth opened in protest and he almost drowned right then and there. He turned his head violently to one side, sneezing and coughing. Panic-stricken, he tried to swim away from her but his limbs were so heavy.


Again she leaned forward and pushed him down. And again. Each time he broke the surface, he gasped for breath, aware only of her white arms and the chain with the initial M hanging from her neck. Her movements were gentle, but laced with steel. As his head bobbed in and out of the water, he knew he was about to die.


Exhaustion. His lungs on fire. He made one last enormous effort to free himself but she was too strong.


She had relaxed her grip, but he could no longer find the strength to push himself upward. As he started to sink, he kept his eyes open and through the layer of water he saw her get to her feet. She looked down at him and lifted her hand: a gesture of regret.


Air was leaving his mouth, rippling the water, dissolving her figure, her masked face. And as he slowly spiralled downwards, he wondered with a strange sense of detachment if he might not still be on a journey, still searching for the path that does not wander... 

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